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Topics in Engineering Approaches to Music Cognition
Musical Prosody and Interpretation
Spring 2010   Daniel J. Epstein Department of Industrial and Systems Engineering
University of Southern California Andrew and Erna Viterbi School of Engineering


Instructor: Elaine Chew ( echew (at) usc.edu )
GER 241, (213) 8.212.414
Section: 048-31618R
Office Hours: Tuesday 9AM-10AM or by appointment
Class Meets: Tuesday 10AM-1PM
Location: PHE 223
Text: Selected technical papers (see week-by-week guide)
Pre-requisites: Graduate standing in engineering or by instructor's consent.
Programming experience (C++ or Java) and/or formal music knowledge desirable.

This course explores the role of musical prosody in conveying diverse interpretations in musical performance. Performers manipulate musical parameters such as tempo, loudness, and articulation so as to focus attention and facilitate parsing of musical features, and to create emotional affect. The class covers computational techniques for measuring prosodic cues such as timing and loudness (and time permitting, timbre) in music, the resulting accents and phrases, and how they map to perceived prominence and grouping. The class emphasizes learning by example, and learning by doing. The class includes reading of contemporary scientific literature on the topic, writing, presentation, discussion, and a final project.

Updated 12 January 2010.

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