Glossary
A-B
Air Chamber
See the term wind chest
Articulate
1. Sight separations are made before notes in this style of playing. The
organist decides the length of the separation and which notes to separate.
An entire technique has evolved around this principle and is used in playing
early organ music up through J.S. Bach and G.F. Handel.
2. Articulate can also describe a type of stop that has a clear attack
point or chiff
Attack Point
The moment at which pipe begins to speak, when the key is pressed, is the
attack point. Different kinds of pipes have a variety of attack points
ranging from soft to strong and clear.
Bellows
In order organs, before electricity, this was used to pump air into the
reservoir. It was made of two wedge shaped pieces of wood joined by an
expandable, fan-like piece of leather. Closing the bellows forced air into
the Reservoir.
C-D
Chiff
Pipes that have a clear edge to the sound are often described as having "chiff."
Any kind of pipe can have chiff but principals almost always have this clear
attack point.
Circuit
An electrical connection which, when charged, it magnetizes a piece of
metal. This circuit is involved in the mechanism which opens the valves to
allow pipes to speak in an electric action instrument.
Combination action
The type of mechanism which controls the work of the piston. One kind of
mechanism is digital.
Console
The unit that contains everything the organist needs to control the sound
such as the manuals, pedalboard, piston, etc. All this stuff together is
the console.
Coupler
A coupler allows one division to be connected to another. This allows the
stops of two divisions to be controlled by one manual or the pedals. For
example, the Swell to Great coupler allows the Great manual to use stops
from the Swell. There are also couplers which act within a division to play
the stops at a different octave. For example, SW 4' is a coupler which will
play the stops in the swell up an octave and at regular pitch at the same
time.
Divisional Piston
It is a piston that affects only one division (See the next term).
Each division on the organ will have sets of pistons that work only on that
particular division.
Division
The pipes are grouped into several separate sections called divisions.
Each one has a name and is controlled through it's own manual or the
pedalboard. There are several manual divisions and the most common are:
Great, Swell, and Choir or Positive. There is only one Pedal division.
Drawknob
- These turn the different kinds of pipe sounds on or off. Pulling the
knob out turns the stop on and pushing it in turns it off. Some builders use
stop tabs which flip up and down in place of drawknobs.
E -G
Electric Key Action
- In an electric key action, a wire, an electrical circuit and an electro
magnet cause the valve below each pipe to open and close. When you
press the key, you close an electrical contact. Electricity flows to the
circuit which causes an electro-magnet to open and close the valves under
each pipe.
Electro-Magnet
This is a piece of metal which, when magnetized by an electrical circuit,
attracts the valve below the pipe. The valve opens and air flows through the
pipe, making the pipe speak.
- Flue Pipe
-
- This kind of pipe can be made of metal or wood. The sound is produced
when the wind flows through the foot of the pipe and flows out the mouth
(the hole in the front of the pipe). The air hits the lip of the pipe and
causes the column of air to vibrate. The length of this column of air which,
in turn, determines the pitch of the sound. The pipe's length determines the
size of the air column. For a diagram of a flue pipe, see the sound
characteristics page. Most of the pipes on the organ are flue pipes. The
others are reed pipes. There are several types of flue pipes: Principals,
Flutes, and Strings.
- General Piston
-
- This piston affects entire organ and is used to recall the organist's
choice of stops and couplers from all divisions of the organ.
K-M
- Key Action
-
- This is the mechanism the keyboard uses to used to control the pipe
speech. It does this by controlling the air flow to the pipes.
- Legato
-
- 1. In this style of organ playing, the notes flow smoothly from one to
the next. Sometimes there are breaks between notes for musical phrases or to
accentuate a note but the overall effect is smooth when compared to the
articulate playing of the Baroque.
- 2. Legato can also refer to the kind of technique needed to play the
notes smoothly.
- Manuals
-
- This is the organ term for the keyboards.
- Mechanical Action
-
- The key is connected to trackers which eventually connect to the valves
that open to admit air from the wind chest into the pipe. When you press the
key, you are physically opening the valve in the wind chest. In mechanical
action, there is one valve for each note on the keyboard. So, if the organ
has 10 stops, there is one valve for all ten pipes which correspond to that
note on the keyboard.
- Memory Levels
-
- In digitally controlled combination action, a memory level is like a
file. Multiple level are essentially multiple files, allowing several
different possibilities for one piston.
P
- Pallet or Pallet Valve
-
- When air flows to the pipe, it goes through a hole in the wind chest
beneath the pipe. The pallet valve closes this hole when the pipe is not
being used. Pressing the key will open this valve. Pipe valve is also
another term.
- Pedalboard
-
- This is the structure on the floor which contains the pedals and
mechanisms which link them to the rest of the organ.
- Pipe Beard
-
- Used only in flue pipes, this is a metal rod that extends in front of
the mouth and is connected to the ears. Large pipes need this extra piece to
focus the tone because the larger mouth in these pipes makes the tone
unstable.
- Pipe Toe
-
- This is the bottom opening of the pipe which rests in a hole on the top
of the wind chest.
- Pistons
-
- A piston is one of the numbered thumb buttons or toe studs on the
console which can memorize a combination of stops. The organist can choose
the stops to use by turning them on and then set them on one of the numbered
pistons. (Most organ consoles have a Set button on the lower left corner of
the bottom manual which is used for this purpose.) Then, the organist can
recall those stops at any time by pressing that piston. There are general
and divisional pistons.
- Pitch
-
- Pitch in music is the note that sounds. On the organ, pitch does not
always correspond to the key which plays the pitch.
- Pluck Point
-
- In mechanical action, this is the point at which the tracker is pulling
the valve open. The organist can actually feel this through the key. It is
similar to the pluck point in a harpsichord, which the musician can also
feel when pressing a key.
- Principal
-
- A principal is one family of sound. It is a flue pipe which is rather
narrow for its length and produces a bright, clear sound. There are many
kinds of principals.
R
- Rank
-
- A rank is a row of pipes. The row always has all pipes of the same kind
of sound. For example, all the pipes for a Spitzflute (one kind of flute
sound) will be in the same row. Organs are often described by the number of
ranks they have. A 60 rank instrument is a fairly large size while an 18
rank instrument is small. Practice organs can have anywhere from 3 to 9
ranks.
- Reed Pipe
-
- This pipe is alot like a single reed orchestral instrument. The wind
flowing through the pipe vibrates a metal tongue, a strip of flat metal,
against an open-faced shallot. This is not visible from the outside because
these parts are contained in the boot, the bottom part of the pipe which
rests on the wind chest. The sound is amplified by the resonator, the top,
flared part of the pipe. Pitch is determined by the length of the tongue.
They have a strong, penetrating tone.
- Reservoir
-
- This is a storage container for the wind. The top part of the container
is expandable, like a fan or accordian. Weights or springs are used on the
expandable part to keep the air under pressure. If the wind going to the
pipes is not under the same, constant pressure, the sound will waver and the
note will warble.
- Reversibles
-
- These are a convenience item and each one has only one function.
Pressing the stud reverses what the current status of the stud was. If it
was off, it is now on and vice versa. An example is a 32' Bourdon. This
turns that stop on or off. Other examples are Full Organ which turns on all
stops of the organ without the knobs or tabs physically moving, and Great to
Pedal which is a foot control of the coupler.
- Roller
-
- In mechanical action, the keys are directly in front of the pipes and
wind chest so the connection between the key and valve follows straight
lines and right angles. Sometimes the architecture and space available
necessitate the placing of the pipes off to the side. Then the connection
must follow straight lines at irregular angles.
The roller, a wooden rod, is used in this circumstance as its
rotation can accommodate the irregular angles. It has two arms at each end.
One is attached to the key (or pedal) and the other is attached to the valve
directly, or trackers which lead to the valve. The roller mechanism is
frequently used in the pedal division and is only found in mechanical action
instruments.
S
- Scaling
-
- This is the proportion of the width of a pipe to its length. Tone
quality of the pipe will change as the proportion changes.
-
- Slider
-
- This is a long wooden slat which has holes in it that correspond to a
rows of holes in the top of the wind chest. It is used in a slider wind
chest (see the next term).
- Slider Chest
-
- This type of wind chest uses a slider to block the holes in the wind
chest and prevent the pipes from speaking.
- Speaking Pipes, Pipe Speech
-
- This is organ slang that means the pipe is making a sound.
- Solid State Combination
Action
-
- This is a new technology that allows the memory of the pistons to be
digitally memorized. There are multiple digital memory banks available up to
128 levels, depending on what the builder has installed. This means all the
pistons can be "re-memorized" on multiple levels. For example, if the organ
has 10 General pistons and 32 levels of memory, there are 32 possibilities
for GP #1, GP#2, and so on. The total possibilities for the general pistons
are 32 x 10 or 320. These memory levels affect all pistons, generals and
divisional pistons.
- Staccato
-
- When notes are played short and detached, they are staccato.
- Stop
-
- 1. The knob or tab which is used to turn a type of sound on or off .
- 2. A type of sound available on the organ. It usually has one pipe per
note, although some kinds of sounds use several pipes for one note on the
keyboard. Many stops on an organ result in many possibilities for tonal
color and volume. There are several families, or groups, of sounds: Reeds,
Principals, Flutes, and Strings.
- Stop Action
-
- This mechanism turns the stops on and off through the use of drawknobs
on the sides of the console or stop tabs above the manuals. In turning a
stop on, a barrier between the pipes and wind chest is moved aside so that
air can flow to the pipe when its corresponding key is pressed.
-
- Stop Tabs
-
- See Drawknobs.
- Swell Pedal or Swell Shoe
-
- A pedal on the console that controls the opening and closing of the
swell shades.
- Swell Shades
-
- Slats which look like Venetian blinds that can be opened and closed
through a foot pedal called the swell shoe. This allows volume control
because pipes behind the blinds will get louder as the shades are opened.
The shades are normally in front of the division called the swell. They can
also be placed in front of the solo and choir divisions if the organ has
these divisions.
T-Z
- Technique
-
- Technique in playing an instrument refers to all the physical movements
and mental knowledge needed to play the instrument. All of these things are
factual knowledge and can be taught to anyone. This is in contrast to
artistry, which cannot be taught. Good technique is important because it
helps the musician to express his or her artistic ideas. Organ repertoire
uses two main types of technique: Legato and Articulated Playing.
- Thumb Pistons
-
- eys of each manual are small buttons. The numbered ones are pistons. The
others have various functions and are reversibles. The thumb is used to
press them which is how they got their name.
- Tone
-
- Tone is the color of the sound. The organ has a wide variety of sounds
available. The difference in the sound colors of the stops makes this
variety possible.
- Toe Studs
-
- These are the large buttons on the console near the pedals that control
several mechanisms on the organ. On the right, there are a group of
divisional toe pistons that only memorize stops for the pedal division. The
group on the left is the general pistons which affect all stops and couplers
on the organ. These are repeats of the thumb generals below the manuals. The
last kind of toe studs you will see are called reversibles. These are
usually spread out across the bottom of the console, above the generals and
pedal divisionals. These are a convenience item and has only one function
per stud.
- Tracker
-
- 1. Another name for mechanical action.
- 2. A tracker is also a long thin piece of wood used in mechanical action
instruments to open the valve (See next term).
- Valve
-
- These open or close to admit air to the pipe. Their movement is
controlled through the keys on the keyboard. Pressing a key down pulls the
valve open. Each key has a spring underneath it so that the key returns to
the "up" position, allowing the valve to close.
- Voicing, Voiced
-
- All pipes in a organ are altered after the organ is installed because
acoustics of the room affect the organ's sound. Tonal color, volume, and
stability of sound are affected by these alterations. For example, an
unusually loud pipe that sticks out above the rest is softened until its
volume matches the other pipes of that stop. Pipe organs are intentionally
voiced for the following characteristics: Each note will sound slightly
different in character, and the overall volume will increase as the notes go
up the scale.
- Wind Chest
-
- The pipes sit atop this plain wooden box. When a stop is on, air flows
from the reservoir into the box. When notes are played, it uses the air from
this box to make the pipes speak.
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