Samples
 
 
 Music samples included in the paper (JIWCC’07)
    “A Hybrid System for Automatic Generation of Style-Specific Accompaniment”
 Music samples included in the paper (ISMIR’08)
    “Evaluating and Visualizing Effectiveness of Style Emulation in Musical Accompaniment”
 
Figure 6. Case Study 1
Figure 7. Case Study 2
Original Accomp.
Generated Accomp.
Original Accomp.
Generated Accomp.
Figure 2. Chord space distance-time plot
               (result for K1 trained on K11)
Figure 4. Melody-chord distribution difference
               (result for K1 trained on K11)
Result for the melody of Keane’s “Somewhere Only We Know” (K1), trained on Keane’s “Bedshaped” (K11).
Original version of “Somewhere Only We Know” (K1).
Result for the melody of Keane’s “Somewhere Only We Know” (K1), trained on Keane’s “She Has No Time” (K5).
Figure 8. Chord space distance-time plot for Keane’s Open Your Eyes.
Figure 3. Chord map distributions: (a) the nine close chords; (b) result for K1 trained on K5, (c) result for K1 trained on K11.
Examples in Section 3
Examples in Section 4.3 Case Study
Figure 9. Interval distribution distance graphs for Keane’s Open Your Eyes.
Result for the melody of “Open Your Eyes”, using Common Chords training set.
Original version of Keane’s “Open Your Eyes”
Result for the melody of “Open Your Eyes”, using All-Except-One training set.